The Choral Arts Society of Washington Experience. Passion. Harmony. Space. This is choral music – a story that soars from a composer’s intention to a conductor’s interpretation, from a chorus’ passion to an audience’s moment of awe. Leaping from the page to the lungs to the air, it reverberates in the chambers of the heart. Transporting us out of ourselves. Ushering us into ourselves. Mind. Breath. Sound. Heart. Choral singing is an elemental human experience, a sound with the power to crack open new worlds. Choral Arts imbues every single performance with the promise of this experience. Based in the nation’s capital, we weave our shared passion, world-class repertoire, and radiant voices into a sound that changes people. We sing for a city with little time and high expectations, which compels us to transform a night out into a lifelong memory. We defy preconceived notions – exploring styles, arrangements, spaces, and collaborations that reimagine traditions and create surprising new ones. At Choral Arts, we sing the music we love as a balm to frenzied days, an antidote to solitude, a union in an often-fractured world. As our conductor raises his baton, a moment is born. As our melody rises, spirits rise with it. As our notes weave intricate harmonies, the bonds between people are strengthened. And as our last note fades, in the heartbeat before the ovation, you will suddenly hear the story singing within you – a small awakening to take back into the world. Founded in 1965 by Norman Scribner (1936-2015), Choral Arts has a rich history of bringing the power of the human voice to audiences large and small. We weave our shared passion, world-class repertoire, and radiant voices into a sound that changes people. We advance the story of choral music by partnering with musicians, composers, and ensembles from all walks of life. Choral Arts. Awaken your world.

Marie Bucoy-Calavan, Artistic Director Described to be “destroying stereotypes and breaking boundaries for the arts and choral music,” Marie Bucoy-Calavan has conducted a diverse range of ensembles, from primary and secondary level choirs, to community, collegiate, and professional choruses and opera productions. Bucoy-Calavan has an affinity for conducting and preparing choral-orchestral masterworks, having served as the Assistant Conductor to Robert Porco for the May Festival Chorus, the symphonic chorus for the Cincinnati Symphony Orchestra. She has prepared and performed with symphonic choruses under the batons of John Williams, Eric Whitacre, Keith Lockhart, James Conlon, Carl St. Clair, Bramwell Tovey, John Mauceri, Louis Langrée, John Nelson, and John Alexander in distinguished venues, including Walt Disney Concert Hall, Hollywood Bowl, Carnegie Hall, Severance Hall, Cincinnati Music Hall, and the Liszt Academy in Budapest, Hungary. Bucoy-Calavan has been Director of Choral Studies at The University of Akron since 2014, where she conducts the choirs, advises all three pop a cappella groups on campus, and teaches undergraduateand graduate-level conducting and choral literature. Active in the Northeast Ohio region, she held the posts of Chorus Director for the Akron Symphony and Artistic Director of Summit Choral Society, where she both prepared and conducted choral-orchestral works. With all these groups, she has specialized in adventurous programming. She focuses on innovation by collaborating and combining with different art forms, which results in enterprising ventures and widened audiences for choral music. Bucoy-Calavan is in demand as a conductor, clinician, and speaker across the US and in Europe. She is also frequently invited for residencies teaching conducting masterclasses, conducting private lessons, and American choral music at the Hochschule für Musik und Theatre in Munich, Germany, and has served choral artist-in-residencies at Xavier University, Oberlin Conservatory of Music, and California State University, Fullerton. She has been asked to present and speak on the new generation of entrepreneurial advances in choral music at the 2017 and 2018 National Conferences for Chorus America. A lifelong learner and enthusiasm for the art of conducted gesture, Bucoy-Calavan has been fervent in continuing her conducting training. She has been invited to participate in juried conducting masterclasses with Jerry Blackstone, Paul Rardin, Robert Porco, Craig Hella-Johnson, Andre Thomas, Patrick Dupré Quigley, Ragnar Bohlin, Jacques Lacombe, David Hayes, Arthur Fagan, William Dehning, Mark Gibson, and Elmer Thomas. In addition, Bucoy-Calavan placed second in the 2013 American Choral Directors Association National Choral Conducting Competition, held in Dallas, Texas. Her research interests lies in conducting pedagogy and its unification among choral, orchestral, and wind ensembles. Moreover, because of her frequent work as an opera and oratorio conductor, she has been asked to serve as an active champion, advocate, and spokesperson for the training and preparedness of young choral conductors in the arena of choral-orchestral works, particularly in accompanied recitative. Her growing cohort of conductors that she has mentored are winning sacred music and collegiate jobs and assistantships across the nation. Bucoy-Calavan finished her Bachelor of Arts in Music and Master of Music in Choral Conducting at California State University, Fullerton, serving as the Graduate Assistant Conductor of both the University Singers and Chamber Choir. She completed her Doctorate of Musical Arts in Choral Conducting and cognate in Music History at the University of Cincinnati, College-Conservatory of Music, where she directed the University of Cincinnati Men’s Chorus and taught introductory courses and private lessons in conducting for undergraduate students. She serves as Secretary for the National Board of Directors for Chorus America, Secretary on the Executive Board for the National Collegiate Choral Organization, and Coordinator and Chair for University Repertoire and Resources for the state organization, Ohio Choral Directors Association.

The Community Chorus of Detroit (CCD) is a highly celebrated, non-auditioned chorus in the heart of Detroit which is richly diverse in every way. The CCD keeps an active performance schedule and has performed on international tours in most of Europe. The CCD maintains the highest levels of artistic and professional integrity through its selection of great music, its leadership and organizational development, and its work with cultural partners like the Detroit Symphony Orchestra, while providing an outstanding overall experience for its choristers. www.communitychorusofdetroit.com

Edward Maki-Schramm, DMA, leads the Community Chorus of Detroit as Artistic Director/Conductor. Since his inaugural season, the chorus has grown to its current standing as a premier musical ensemble in the region. He also serves as the artistic leader on the chorus’ international performance tours, which included the Cathedral of Notre Dame in Paris, and St. Paul’s Cathedral in London. In addition to his work with the chorus, Dr. Maki-Schramm is the Director of Music at Christ Church Detroit, and was selected to perform on the Grammy Award-winning recording of William Bolcom’s “Songs of Innocence and Experience.”

The University of Akron Alumni Singer is a group of musicians that performed in the Concert Choir or Chamber Choir under the direction of Dr. Marie Bucoy-Calavan.

Harmonia Festival Choir is a vibrant Baltimore-area community ensemble designed for singers who crave meaningful musical experiences without the weekly rehearsal commitment. Built around single-day festivals, Harmonia brings together passionate vocalists from across the region to prepare and perform major choral works. Through thoughtfully curated repertoire and an atmosphere of camaraderie, the choir fosters artistic excellence, connection, and joy. Open to all voice parts and experience levels, Harmonia empowers singers to grow musically, build community, and share inspiring performances with local audiences, all in one unforgettable day of music-making.

Sandra Files is the founding Artistic Director of Harmonia Festival Choir, a one-day community chorus based in the Baltimore area. Through innovative programming, Harmonia unites singers for a dynamic single day of rehearsal and public performance, creating a meaningful, full-scale choral experience outside of the traditional community chorus model. A dedicated conductor, vocalist, and performer throughout the Baltimore region, Sandra is passionate about cultivating lifelong musicianship and creating accessible, high-quality choral experiences. She holds a Master of Music in Choral Conducting from Messiah University and is also the Artistic Director of the Bel Air Community Chorus in Bel Air, MD.

The Young Voices of the Santa Fe Opera engages high school students with talent and passion to explore their artistic potential. Students receive free voice instruction, musical coaching and training in diction, music theory and acting from Santa Fe Opera artists and staff. Through master classes, cultural experiences, community engagement and performance opportunities, these emerging artists build confidence, develop stage presence and establish a strong musical foundation. The school-year program culminates in a public showcase celebrating their growth and achievement. Since its 2008 founding, the program has supported more than 100 young vocalists — many of whom continue to integrate music into their studies, careers and creative lives.

Amy Owens is a soprano and crossover artist known for her versatility and “scene-stealing” performances on operatic, musical theater, and concert stages, as well as her innovative pursuits in music education. She first worked with the Santa Fe Opera as an apprentice artist in 2014 and assumed the role of Director of the Young Voices of Santa Fe Opera in 2022. In addition to her career as a performer and pedagogue, Amy is an emerging conductor and producer.

Foothills Community Choir represents a vibrant legacy of choral singing in Colorado. Established in 1996 as the Wheat Ridge Community Chorale and reimagined in 2021 under its current name, the ensemble continues to grow and evolve. As a non-audition chorus, FCC is committed to musical excellence, inclusivity, and community enrichment. United by the belief that music bridges differences and brings people together, the choir welcomes singers of all backgrounds to share in the transformative power of collective song.

Conductor and pianist Taylor Gonzales has led the Foothills Community Choir as Music Director since 2023. He also serves as Music Director of the Wild Beautiful Orchestra and conducts ensembles in Denver and Lakewood. Previously Associate Conductor of the Denver Philharmonic Orchestra, he co-founded the Puget Sound Concerto Orchestra. Taylor earned degrees from the University of Puget Sound and the University of Denver and has performed as a pianist with orchestras in the Pacific Northwest. He is passionate about creating meaningful musical experiences and sharing his love of music through teaching.

The Chancel Choir of Trinity United Methodist Church in Denver, Colorado, continues a musical tradition rooted in the congregation’s founding in 1859. As one of Denver’s oldest churches, Trinity has long centered music in worship and community life. The choir serves as the primary ensemble for the traditional service, offering weekly repertoire that spans sacred masterworks and contemporary compositions. Inclusive and non-auditioned, the ensemble welcomes singers of varied experience. Under the direction of Taylor Gonzales, the choir remains committed to artistic excellence and meaningful collaboration.

The Catholic University Chamber Choir is the university’s premier auditioned ensemble, known for its artistry in sacred and choral repertoire. Recent highlights include performances of Duruflé’s Requiem at the Society for Catholic Liturgy’s National Conference and Bach’s St. Matthew Passion with the Baltimore Basilica Schola Cantorum and Three Notch’d Road Baroque Ensemble. The chamber choir is featured annually at the Christmas Concert for Charity at the Basilica of the National Shrine of the Immaculate Conception, a performance filmed and broadcast internationally by Eternal Word Television Network.

Peter Kadeli is Head of Sacred Music and Director of Choral Activities at The Catholic University of America, leading the sacred music program for the national university of the Catholic Church in the United States. He also serves as Associate Conductor of the two-time Grammy Award–winning The Washington Chorus. A champion of contemporary music, Kadeli has premiered and recorded works by living composers, including Sir James MacMillan. In 2025, he earned Second Place in The American Prize in Choral Conducting (University Division).